In an attempt to shift through the Kandinsky style which involved carved geometries intertwined in an airstream-like fond, I decided to evolve my strategy in order to depict more unnatural linking of the geometric shapes together bound and routinely encountered in this particular style. As a result in this painting, triangular ladder formations that are two-dimensional seem to split a room, where on the left side a black and white, night and day contrast is framed while on the right side, a yellow brown or noon contrast is generated.
Tuesday, March 6, 2012
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