Oort Probe

My soundcloud channel is now online!

You'll find my first drafts into minimal/ambient electronic.

https://soundcloud.com/search?q=oort%20probe

MY SKY

It was all about the rotten leaves

and the stony path ahead,

with serpentine arterials driving us to the lake.

Along the way, you and I counting the shrivelled pebbles.

The kids drew this picture.

But left me there to wait and look for one sky,

that was deliberately left unpainted.

I knew there would be this one day,

when you would be the Sun,

to fill in the gaps

to sharpen the contrasts

to let the shadows rise

and to make the treetops breathe.

But wouldn't it be in someone else’s sky?

Hallmarks of Cancer

In an attempt to shift through the Kandinsky style which involved carved geometries intertwined in an airstream-like fond, I decided to evolve my strategy in order to depict more unnatural linking of the geometric shapes together bound and routinely encountered in this particular style. As a result in this painting, triangular ladder formations that are two-dimensional seem to split a room, where on the left side a black and white, night and day contrast is framed while on the right side, a yellow brown or noon contrast is generated.

Still Exploring the Kandisky Style???

This is the continuation of a series of works with two dimensional perspective, attempting to borrow elements from the Kandinsky School of painting, readjusting geometric shapes in configurations that balance themselves in the eye.

This particular one is not named yet, for I intend to complete the series before naming all paintings, in an a posteriori mode.

Many friends are telling me they see a rooster, a clock, a moon and a bridge in here. :)

Exploring Kandinsky Through Watercolor Painting

This is the beginning of a new style of drawing through watercolors; the project is described as "exploring Kandinsky through watercolor painting". One of my initial attempts to capture geometric shapes without any profound meaning in a harmonic concept by placing them the one in close proximity to the other. As Kandinsky has been drawing in one of his later periods, exploring the effect of straight lines, curvy lines, triangles, spheres, hemispheres, rectangles and other geometric and non-geometric two-dimensional entities, to the human eye, I tried to develop my own technique in a relevant way. Obviously, mimicking this great artist, what we may see is the depiction of an alternative ego and personal signature.

This painting is not yet entitled, for I am waiting a series of them to be completed and then provide titles to all. There is a nice thought, as well, behind this series, to write a small poem for each one of the works that will describe a non-subjective point of reference, after completing the painting and simply observing it.

"Oh, how we laughed!"

Oh, how we laughed! at your service

at your rights, accumulated credits...

at your scars, at your skin, skinned from inside out.

Fulfilling your own agenda.

Oh, how we laughed! at your armies

at your plastic little soldiers, at your feelings...

at your carpets, at your vomit, whiskey bottles.

Empty glasses, without traces.

Oh, how we laughed! at your distance

Distant, at your calls, at your cause,

Fullfilling your cruel agenda.

Oh, how we laughed! at your children,

born at stake, never there

Oh, how we laughed! at your placenta,

your cold-blooded trophies, your agenda.

Oh, how we laughed, at your agenda.

Oh, how we laughed.

This is my truth, what's yours?

A totally abstract work. It was one of the first paintings, in which I avoided creating a gradient in soil or sky. Compared to others, it can be noticed that there is no such thing as exterior or interior landscape, but only geometric abstract objects or subjects.

People throughout, have interpreted the title of this work by the "man" on the top left corner being the surrealistic perspective of pinnocchio (whose nose is long due to the lies).

Another interesting interpretation is that the white-board, represents someone's life and all the experiences are written thereon, surviving in the test of time... All surrounding objects and subjects represent the daily experiences that contribute to our motives and actions.

They are both interesting interpretations.